Thursday, 4 August 2016
TALKING SHENG
Young people in Nairobi use Sheng, an urban, youth sociolect that
mixes English, Kiswahili, and ethnic languages and shares many features
with slang, to forge a new, hybrid identity. Sheng signifies the
negotiations and struggles of youth's identity project. The
institutions of family, church, school, and popular media present Kenyan
youth with different possible identities. The voice of the family comes
to them in ethnic languages that embody tradition and heritage. The
voice of education asks them to place Kiswahili at the center of a
multicultural ideology, but does so in English. The church calls to them
in Kiswahili and English. The voice of the media comes to them in
videos, movies, music, radio, and television and is heard mostly in
English. Each of these languages represents a particular ideology of
living in the world and young people respond through language. Sheng gives young people the wherewithal to question and challenge the ideologies and identities that attempt to define them. Sheng
also signifies the construction of a linguistic third space between the
global, represented by a transnational African diasporic culture, and
the local, represented by tradition. ^ This dissertation also focuses
on two groups of culture brokers that are helping to shape Sheng and, as a consequence, shape identity—rap musicians and Manambas. Manambas are young men who work on Kenya's privately owned public service vehicles popularly known as Matatus.
Many of Kenya's rappers feel a sense of responsibility toward the
youth; and as the voices of their generation they feel an obligation to
promote the importance of African heritage in young people's definition
of self. Manambas are the master innovators of Sheng,
however, they do not share rappers' sense of responsibility nor do they
have a coherent social agenda for young people. While rappers negotiate
between tradition and modernity, Manambas stand in between the
global and the local. Through their consumption of commodities,
including fashion and music, transnational culture is given currency and
symbolic power in the expression of identity. ^ The discourse on
hybridity and globalization constitute the theoretical ground on which
the empirical data is explored and analyzed.
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